In”Music in Hypertexts: Toward a Real Media Integration,”Francesca Chiocci argues music can create an hierarchy to guide readers through links and provide coherence to a site. Yet, by the definition provided by George P. Landow’s “The Definition of Hypertext and Its History as a Concept“, hypertext is pluralistic. It’s (re)written by each reader, and as Roland Barthes posits in S/Z, a hypertext is composed of signifiers, not signifieds (qtd. in Landow).
Can music provide a definitive signified in a hypertext medium? Should it? Even as we engage with technorhetorical strategies to create an hierarchy within a site, each link, each lexia, must remain independent. But if music could control a site, how might the writing change? Would it change?